Criação musical para filmes e séries de animação: O áudio musical e o áudio-musicista no contexto da interobjetividade e da intersubjetividade.
Keywords:
Criação musical para séries e filmes de animação, áudio musical, áudio musicista, interobjetividade, intersubjetividadeAbstract
This article aims to present notes about the doctorate research intitled “Music creation processes and technology in animation films and series: the music adventures of Oswaldo”, presented at musicology program at University of São Paulo. Precisely, in this article, we emphasize four concepts that had notable relevance on the research development: musical audio and audio-musician by Daniel Tápia (2021;2018) and interobjectivity and intersubjectivity by Philip Tagg (2015). Those concepts emphasize music creation in a context where the social aspects and music technology have a decisive role.
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